Gallery exhibition
Group show
Installation photography, Group show
Installation photography, Group show
Installation photography, Group show
Installation photography, Group show
Gajin Fujita<br>
Study for Red Peony ('Invincible Kings'), 2018<br>
pencil and spray paint on paper<br>
Paper: 69 1/2 x 68 1/4 in. (176.5 x 173.4 cm)<br>
Framed Dimensions: 73 1/2 x 72 1/4 in. (186.7 x 183.5 cm)
Charles Garabedian<br>
Odalisque, 2001<br>
acrylic on canvas<br>
Dimensions: 28 5/8 x 56 1/8 in. (72.7 x 142.6 cm)<br>
Framed: 29 3/4 x 57 3/8 in. (75.6 x 145.7 cm)
Matt Wedel<br>
Flower tree, 2018<br>
unglazed porcelain<br>
51 x 43 x 20 in. (129.5 x 109.2 x 50.8 cm)<br>
MW18-130
Leon Kossoff<br>
Cephalus and Aurora, 1985<br>
hand colored etching & aquatint<br>
Image: 18 x 21 7/8 in (45.7 x 55.6 cm)<br>
Paper: 22 1/8 x 30 in (56.2 x 76.2 cm)<br>
Framed: 27 x 32 in (68.6 x 81.3 cm)
Jason Martin<br>
Untitled (Mixed White/ Emerald Green/ Royal Blue Deep) I , 2018<br>
oil on aluminum<br>
89 3/8 x 87 x 7 1/2 in. (227 x 221 x 19 cm)
Tom Wudl<br>
Instruments of Good Fortune, 2013<br>
pencil, gouache, ink, gold leaf, and gold powder on vellum with collage<br>
8 3/4 x 11 1/4 in. (22.2 x 28.6 cm)<br>
framed: 15 1/4 x 17 1/2 in. (38.7 x 44.5 cm)
Rina Banerjee<br>
Thieves Clutch and climbed to reach with grasping hands what is already owned, soon will be unowned, like Microbe migrations the movement of objects like possible nourishment snatched have a magnetic attraction, freed from captivity, to be under another sun, accumulated by someone else, by way of theft, from pillage out of museum, from pillage, from sacred temple. This that which can be snagged and snatched caught in an effervescent circulation., 2018<br>
mixed media<br>
40 x 21 x 14 in. (101.6 x 53.3 x 35.6 cm)
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