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< artists
Edward and Nancy Kienholz
Works available
Edward Kienholz 1954 - 1971
Edward & Nancy Kienholz 1972 - 1994
Nancy Reddin Kienholz 1994 - 2019
Bio
Edward:
1927 Born, Fairfield, WA
1994 Died, Hope, ID
1953-73 Resident, Los Angeles, CA
Nancy:
1943 Born, Los Angeles, CA
2019 Died, Houston, TX
biography
bibliography
Selected L.A. Louver exhibitions
view past exhibitions
Edward and Nancy Kienholz
The Merry-Go-World or Begat by Chance and the Wonder Horse Trigger
24 Oct 2019 - 22 Feb 2020
Gallery exhibition
Edward and Nancy Kienholz
The Jungen, The Non War Memorial, and Still Dead End Dead 1 & 2
19 Jul - 1 Sep 2017
Gallery exhibition
Kienholz Televisions
24 Feb - 2 Apr 2016
Gallery exhibition
Edward & Nancy Kienholz
Berlin/Hope
13 Mar - 26 Apr 2014
Gallery exhibition
Selected museum exhibitions
view past exhibitions
Edward and Nancy Kienholz
Institute of Contemporary Art
Miami, FL
1 Dec 2017 - 18 Apr 2018
Museum exhibition
Kienholz
Five Car Stud
Fondazione Prada
Milan, Italy
19 May 2016 - 19 Mar 2017
Museum exhibition
Kienholz
The Hoerengracht
National Gallery
London, England
18 Nov 2009 - 21 Feb 2010
Museum exhibition
Kienholz
A Retrospective
Whitney Museum of American Art
New York, NY
29 Feb - 2 Jun 1996
Museum exhibition
Selected art fairs
view past exhibitions
Ed & Nancy Kienholz
American Exceptionalism at Frieze Los Angeles
17 Feb 2023 - 19 Feb 2023
Art Fair
Edward & Nancy Kienholz
The Caddy Court at The Armory Show
5 Mar 2020 - 8 Mar 2020
Art Fair
Edward & Nancy Reddin Kienholz
The Caddy Court
L.A. Louver/Second Annual International Contemporary Art Fair
Los Angeles, CA
8 Jan 1987 - 11 Jan 1987
Art Fair
Publications
Kienholz: The Merry-Go-World or Begat by Chance and The Wonder Horse Trigger
L.A. Louver
2019
84 pages, 63 color illustrations
Softcover
Kienholz Televisions
L.A. Louver
2016
80 pages
Softcover
Kienholz: Berlin | Hope
L.A. Louver
2014
52 pages
Softback
Kienholz Before LACMA
L.A. Louver
2012
40 pages
Softback
Video
Selected article
Knight, Christopher. "Commentary: As Roe vs. Wade is overturned, a grim 1962 sculpture gains tragic new relevance". Los Angeles Times. 3 July 2022.
full article, PDF