Gallery exhibition
RED
Installation photography, RED
Installation photography, RED
Installation photography, RED
Installation photography, RED
Installation photography, RED
Installation photography, RED
Installation photography, RED
Dion Johnson / 
Red Rhythm, 2023 / 
acrylic on canvas / 
60 x 72 in. (152.4 x 182.9 cm)
Gajin Fujita / 
Study for Red Red Wine, 2019 / 
pencil, ink and spray paint on paper / 
22 1/4 x 17 1/4 in. (56.5 x 43.8 cm) / 
Framed: 24 7/8 x 19 7/8 in. (63.2 x 50.5 cm)
John McCracken / 
Centaurus, 1988 / 
polyester resin and fiberglass / 
90 x 25 x 12 1/2 in. (228.6 x 63.5 x 31.8 cm)
R.B. Kitaj / 
The Romance of the Civil Service (Charge Sheet), 1967 / 
color screenprint, photoscreenprint / 
Paper Dimensions: 40 x 27 3/4 in. (101.6 x 70.5 cm)
Tony Berlant / 
August 7, 1946 - Icon, 1991 / 
found metal and paper collaged on plywood with paint and steel brads / 
23 x 21 in. (58.4 x 53.3 cm)
Tony Berlant / 
Wink, 2019 / 
Found and fabricated printed tin collaged on plywood with steel brads / 
5 5/8 x 5 1/2 x 5 5/8 in. (14.3 x 14 x 14.3 cm)
Gajin Fujita / 
Study for Game of Drones (GOD), (Texaco Star with Cross), 2023 / 
pencil and spray paint on paper / 
10 5/8 x 6 7/8 in. (27 x 17.5 cm) / 
Framed: 13 1/8 x 9 1/2 in. (33.3 x 24.1 cm)
Rebecca Campbell / 
Trevin, 2018 / 
oil on board / 
36 x 48 in. (91.4 x 121.9 cm)
Don Suggs / 
Big Red Folly, 2016 / 
archival inkjet print on Museo Max / 
paper 22 x 17 in. (55.9 x 43.2 cm) / 
Framed: 23 1/8 x 18 1/8 in. (58.7 x 46 cm) / 
Edition 2 of 7
John McCracken / 
untitled No 27, 1964 / 
oil on canvas with resin insert / 
48 1/2 x 48 1/2 x 2 in. (123.2 x 123.2 x 5.1 cm)
Tom Wudl / 
Addictions, 1991 / 
oil on paper / 
Paper: 9 x 6 in. (22.9 x 15.2 cm) / 
Framed: 19 x 15 1/2 in. (48.3 x 39.4 cm)
Juan Uslé / 
Ocho Incompleto, 1994 / 
dispersion, vinyl and pigment on canvas mounted on panel / 
24 x 18 in. (61 x 45.7 cm)
Katharina Sieverding / 
Stauffenberg-Block III/XI, 1969-96 / 
color photographic print (diptych) / 
Each Framed Panel: 74 3/4 x 49 1/4 in. (189.9 x 125.1 cm) / 
Each Image: 73 x 47 1/2 in. (185.4 x 120.7 cm)
Alison Saar / 
Coal Black Blues, 2017 / 
Intaglio on stained cotton shop rags / 
15 x 14 in. (35.6 x 32.4 cm) / 
Framed: 17 1/2 x 16 in. (44.5 x 40.6 cm)
Tony Bevan / 
Head, 2005 / 
acrylic and charcoal on canvas / 
51 1/2 x 36 5/8 in. (131 x 93 cm)
Matt Wedel / 
Flower Tree, 2012 / 
ceramic / 
38 x 34 x 35 in. (96.5 x 86.4 x 88.9 cm) / 
MW12-24
Tony Bevan / 
Fork (PC891), 1989 / 
acrylic on canvas / 
77 x 115 in. (195.6 x 292.1 cm)
Frederick Hammersley / 
Adjective, # 9 1966 / 
oil on canvas / 
42 x 42 in. (106.7 x 106.7 cm) / 
Framed: 42 3/4 x 42 3/4 in. (108.6 x 108.6 cm)
Heather Gwen Martin / 
Night Bloom, 2023 / 
oil and acrylic on linen / 
17 x 20 in. (43.2 x 50.8 cm)
John McCracken / 
Universe: Dream, 1993 / 
oil on canvas / 
62 x 120 in. (157.5 x 304.8 cm)
Frederick Hammersley / 
On red, 1958 / 
oil on canvas / 
Image: 20 x 20 in. (50.8 x 50.8 cm) / 
Framed: 21 x 21 in. (53.3 x 53.3 cm)
The color red has held deep symbolic resonance throughout time and across cultures since red pigment made of ochre was employed in cave paintings. Red has symbolized life, health and victory (ancient Egypt); war and triumph (ancient Rome); majesty and authority (Byzantine Empire). In the West it is associated with martyrdom, sacrifice and military pageantry; in the 18th century resistance and revolution; in the 20th century, Communism. It is also a color of contradiction, associated with love but also of war; a signal of alarm and danger; blood and sin; it is a color that stirs emotion. What is it about this color that signifies bright and present danger that can both attract and repel but always demands to be noticed? In RED, fifteen artists embrace the color to varying ends and through various medium: from the pinkish reds of Gajin Fujita’s stencil drawing, through the shimmering reds of Katharine Sierverding’s photograph and to the dark ochre hue of Alison Saar’s print.